Michael Kabotie, also known as Lomawywesa (September 3, 1942 – October 23, 2009) was a Hopi silversmith, painter, sculptor, and poet. He is known for his petroglyph and geometric imagery.
Kabotie inherited his mothers membership in the Snow Clan and he was initiated into the Hopi Wuwutsim Society in 1967. During this ceremony he was given the Hopi name, Lomawywesa (Walking in Harmony), which he used to sign his paintings and hallmark his jewelry.
His father Fred Kabotie helped develop many of the overlay techniques that have come to typify quality Hopi silverwork, and he learned these techniques as a teenager. He began to paint soon after high school and had a one-man show at the Heard Museum, soon after dropping out of University of Arizona engineering in 1966.
In his paintings, Lomawywesa combined traditional kiva murals, figures from Hopi oral history, motifs present in Pueblo Native basketry and embroidery, and contemporary elements of design. Compared to his father, who depicted ceremonies in his traditional work, Lomawywesa sought to illustrate the feeling, motion, and spirituality embedded within these ceremonies. Particularly interested in the Tricksters and Clowns of Hopi history, Lomawywesa thought it important to express their purpose of bringing about harmony through the exposure of human folly and imperfection. In addition to drawing inspiration from his cultural background, Lomawywesa was greatly inspired by music ranging beyond traditional Hopi songs including Gregorian, Peruvian, and Celtic chants, as well as music from Beethoven, Jim Morrison, and the Doors, music which he claimed "searched deep within for the inner spirit." Lomawywesa also finds cultural connections in Buddhism and Hinduism, relating them to the Hopi initiation process of finding one's inner spirit. Lomawyesa states that "finding the middle way is the essence of all spiritual movements and the essence of my art," motivating his search for harmony, spiritual unity, and self discovery in contemporary America.
Lomawywesa's work, especially that in conjunction with his group Artist Hopid, has been compared to that of Pablo Picasso, Georges Braque, Fernand Léger, and Vasily Kandinsky for its visual similarities to cubism and expressionism. However, he did not know of these movements until after his work began to gain traction in the art world. Lomawywesa stated that both he and Artist Hopid drew from early Puebloan painters, only that they abstracted the same thematic elements of dance and song, emphasizing the motion within traditional Hopi ceremonies.
Lomawywesa lectured across America, in New Zealand, Germany, and Switzerland. His works are in such museums as the Heard Museum in Phoenix, Arizona, the Museum of Mankind in London, the Sequoyah Research Center in Little Rock, Arkansas, and the Gallery Calumet-Neuzzinger in Germany. Lomawywesa was Signature Artist for the 2010 Heard Museum Indian Fair and Market in Phoenix and a consultant to the Native American Arts Festival on Idyllwild Art's campus in Idyllwild, California for nine years up until his death.
Lomawywesa taught Hopi silversmithing for twenty-six years at Idyllwild Arts in California. Utilizing the techniques he practiced in his jewelry work, he designed the front gate for the Heard's Berlin Gallery and the Museum of Northern Arizona.
Lomawywesa has a son named Ed Kabotie who is a pottery and ceramics artist and a musician.
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